000			01384 a2200217 4500
003			OSt
020			_a9788195055975
040			_cIIT Kanpur
041			_aeng
082			_a791.437 _bR137j
100			_aRajadhyaksha, Ashish
245			_aJohn-Ghatak-Tarkovsky _bcitizens filmmakers hackers _cAshish Rajadhyaksha; foreword by Saeed Akhtar Mirza
260			_bSSAF-Tulika Books _c2023 _aNew Delhi
300			_avii, 328p
520			_aIn 2015, students of the Film & Television Institute of India took cinema to the streets with a strike, which was among the first of the agitations that raged across India's universities at that time. As the right to make and show films became central to defining freedom on the campus, a new role emerged for the moving image. The names of Eisenstein and Pudovkin, John Abraham, Tarkovsky and Ghatak, recited in slogans and displayed on banners, evoked a history of political cinema that had set itself against the might of India's political establishment. This book tells the longer cinematic history of a technological and political transformation, redefining cinema amidst growing state totalitarianism and a new era in political struggle.
650			_aMotion pictures -- Political aspects -- India
650			_aFilm criticism -- India
650			_aStudent movements -- India
700			_aMirza, Saeed Akhtar [fore.]
942			_cBK
999			_c567415 _d567415