| 000 | 01215 a2200241 4500 | ||
|---|---|---|---|
| 003 | OSt | ||
| 020 | _a9781472508300 | ||
| 040 | _cIIT Kanpur | ||
| 041 | _aeng | ||
| 082 |
_a791.4301 _bD378c |
||
| 100 | _aDeleuze, Gilles | ||
| 245 |
_aCinema I _bthe movement-image _cGilles Deleuze; translated by Hugh Tomlinson and Barbara Habberjam |
||
| 260 |
_bBloomsbury _c2013 _aLondon |
||
| 300 | _axix, 278p | ||
| 440 | _aThe Bloomsbury Revelations Series | ||
| 520 | _aCinema I is the first volume of Deleuze's revolutionary work on the theory of cinema (concluded in Cinema II, also available in the Bloomsbury Revelations series). Drawing on the philosophy of Henri Bergson, Deleuze identified his work as “a logic of the cinema”, setting out to “isolate certain cinematographic concepts” philosophically. To do this, he brings together diverse examples from a variety of major filmmakers, including Ingmar Bergman, Charlie Chaplin, Sergei Eisenstein and Alfred Hitchcock, among many others. | ||
| 650 | _aMotion pictures -- Philosophy | ||
| 650 | _aMotion pictures | ||
| 650 | _aMotion pictures -- Aesthetics | ||
| 700 | _aTomlinson, Hugh [tr.] | ||
| 700 | _aHabberjam, Barbara [tr.] | ||
| 942 | _cBK | ||
| 999 |
_c565469 _d565469 |
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