000 02215 a2200229 4500
003 OSt
020 _a9780367330828
040 _cIIT Kanpur
041 _aeng
082 _a791.430954
_bP819
245 _aPopular cinema in Bengal
_bgenre, stars, public cultures
_cedited by Madhuja Mukherjee and Kaustav Bakshi
260 _bRoutledge
_c2020
_aLondon
300 _ax, 253p
440 _aRoutledge South Asian History and Culture Series
490 _a/ edited by David Washbrook ...[et al.]
520 _aPopular Cinema in Bengal marks a decisive turn in studies of Bengali language cinema by shifting the focus from auteur and text-based studies to exhaustive readings of the film industry. The book covers a wide range of themes and issues, including: generic tropes (like comedy and action); iconic figurations (of the detective and the city); (female) stars such as Kanan Bala, Sadhana Bose and Aparna Sen; intensities of public debates (subjects of high and low cultures, taste, viewership, gender and sexuality); print cultures (including posters, magazines and song-booklets); cinematic spaces; and trans-media and trans-cultural traffic. By locating cinema within the crosscurrents of geo-political transformations, the book highlights the new and persuasive research that has materialised over the last decade. The authors raise pertinent questions regarding 'regional' cinema as a category, in relation to 'national' cinema models, and trace the non-linear journey of the popular via multiple (media) trajectories. They address subjects of physicality, sexuality and its representations, industrial change, spaces of consumption, and cinema’s meandering directions through global circuits and low-end networks. Highlighting the ever-changing contours of cinema in Bengal in all its popular forms and proposing a new historiography, Popular Cinema in Bengal will be of great interest to scholars of film studies and South-Asian popular culture. The chapters were originally published in the journal South Asian History and Culture.
650 _aMotion pictures
650 _aIndia -- West Bengal
700 _aMukherjee, Madhuja [ed.]
700 _aBakshi, Kaustav [ed.]
942 _cBK
999 _c565466
_d565466