000 | 03463nam a22005895i 4500 | ||
---|---|---|---|
001 | 978-3-540-31103-4 | ||
003 | DE-He213 | ||
005 | 20161121231020.0 | ||
007 | cr nn 008mamaa | ||
008 | 100301s2005 gw | s |||| 0|eng d | ||
020 |
_a9783540311034 _9978-3-540-31103-4 |
||
024 | 7 |
_a10.1007/3-540-31103-3 _2doi |
|
050 | 4 | _aTA349-359 | |
072 | 7 |
_aTGMD _2bicssc |
|
072 | 7 |
_aTEC009070 _2bisacsh |
|
072 | 7 |
_aSCI041000 _2bisacsh |
|
082 | 0 | 4 |
_a620.1 _223 |
100 | 1 |
_aBader, Rolf. _eauthor. |
|
245 | 1 | 0 |
_aComputational Mechanics of the Classical Guitar _h[electronic resource] / _cby Rolf Bader. |
264 | 1 |
_aBerlin, Heidelberg : _bSpringer Berlin Heidelberg, _c2005. |
|
300 |
_aXVI, 182 p. _bonline resource. |
||
336 |
_atext _btxt _2rdacontent |
||
337 |
_acomputer _bc _2rdamedia |
||
338 |
_aonline resource _bcr _2rdacarrier |
||
347 |
_atext file _bPDF _2rda |
||
505 | 0 | _aThe Musical Transient-Modeling Software MTMS Developed for this Study -- Continuous and Discrete Mechanics -- Studies of the Guitar To Date -- The Discrete Guitar Model -- Bending, Damping and Coupling -- Results -- Summary and Outlook. | |
520 | _aThis book performs a state-of-the-art finite-difference calculation of the complete geometry of the classical guitar as a time-stepping application. It provides insight into the overall behaviour as well as the finite structure mechanisms of this musical instrument. Fundamental problems of coupling, nonlinearities, noise or time reversion, complex modelling solutions, and modern signal processing tools are discussed. Also musicologists, musicians or instrument builders can find explanations and may also be inspired by aspects of musical timbre, the sounding and time-dependent qualities of the different guitar parts. The work helps to suggest new geometrical and timbral solutions in modern guitar performance. Rolf Bader studied systematic musicology, physics, ethnology, and music history at the University of Hamburg, Germany. He currently works and performs as a guitarist in the field of jazz, modern classical music and improvisation. His work focuses on the musical timbre in acoustics, music psychology and physiology. Since 2002 he has been teaching acoustics, finite-element and finite-difference methods at the University of Hamburg and has been working on several projects in musical acoustics. His ethnological work on the music and cultural interchange in Southeast Asia, especially about Bali and Nepal includes cultural and historical but also acoustical aspects. | ||
650 | 0 | _aEngineering. | |
650 | 0 | _aMusic. | |
650 | 0 | _aAcoustics. | |
650 | 0 | _aStatistical physics. | |
650 | 0 | _aDynamical systems. | |
650 | 0 | _aApplied mathematics. | |
650 | 0 | _aEngineering mathematics. | |
650 | 0 | _aMechanics. | |
650 | 0 | _aMechanics, Applied. | |
650 | 0 | _aVibration. | |
650 | 0 | _aDynamics. | |
650 | 1 | 4 | _aEngineering. |
650 | 2 | 4 | _aTheoretical and Applied Mechanics. |
650 | 2 | 4 | _aVibration, Dynamical Systems, Control. |
650 | 2 | 4 | _aMusic. |
650 | 2 | 4 | _aAppl.Mathematics/Computational Methods of Engineering. |
650 | 2 | 4 | _aAcoustics. |
650 | 2 | 4 | _aStatistical Physics, Dynamical Systems and Complexity. |
710 | 2 | _aSpringerLink (Online service) | |
773 | 0 | _tSpringer eBooks | |
776 | 0 | 8 |
_iPrinted edition: _z9783540251361 |
856 | 4 | 0 | _uhttp://dx.doi.org/10.1007/3-540-31103-3 |
912 | _aZDB-2-ENG | ||
950 | _aEngineering (Springer-11647) | ||
999 |
_c507319 _d507319 |