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001 978-1-4020-3578-4
003 DE-He213
005 20161121230623.0
007 cr nn 008mamaa
008 100301s2005 ne | s |||| 0|eng d
020 _a9781402035784
_9978-1-4020-3578-4
024 7 _a10.1007/1-4020-3578-0
_2doi
050 4 _aBH1-301
072 7 _aHPN
_2bicssc
072 7 _aPHI001000
_2bisacsh
082 0 4 _a111.85
_223
245 1 0 _aHuman Creation between Reality and Illusion
_h[electronic resource] /
_cedited by Anna-Teresa Tymieniecka.
264 1 _aDordrecht :
_bSpringer Netherlands,
_c2005.
300 _aXVI, 296 p.
_bonline resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 1 _aAnalecta Husserliana, The Yearbook of Phenomenological Research ;
_v87
505 0 _aTopical Study -- Reality and Illusion in the Work of Art -- Section I -- Dream’s Shadows: Fiction and Reality in Miguel de Unamuno -- On the Truth and Lie of Illusion in the Theatrical Sense -- Simulating the Unpresentable and the Sublime -- Section II -- The Restored Sistine Chapel Ceiling: The Transcendent Made Immanent -- Trompe L’Oeil and the Mimetic Tradition in Aesthetics -- A Metaphysical Perspective on Alberti’s De Pictura -- Triumph of the Dissolution of Reality by Illusion: The Spiritual Experience of Trompe L’Oeil Architectural Wall Paintings — The Tomb of the Leopards and the Villa of the Mysteries -- Illusionary Touch, and Touching Illusions -- Reality, Illusion, and Alterity: The Advent of the Other -- Silence as Disclosure: Virginia Woolf’s Style of Being-in-the-World -- Section III -- Between Illusions: Art’s Argument for ‘Weak’ Reality -- Post-Digital Awareness -- Thought, Object and Experience in Film/Video Installation Art -- The “Spring-Tight Line” in Minor White’s Theory of Sequential Photography -- Section IV -- Imagination and Cultural Criticism in the Work of David Wojnarowicz -- A Message for the Oueen: Guercino’s Death of Dido, Cardinal Spada, and the Internal Conflicts at The French Court -- Who is Deceived by Trompe L’Oeil? -- The Aesthetic of True Digital Illusions: Crossing Several Roads at the Same Time.
520 _aIdentifying quickly illusion with deception, we tend to oppose it to the reality of life. However, investigating in this collection of essays illusion's functions in the Arts, which thrives upon illusion and yet maintains its existential roots and meaningfullness in the real, we might wonder about the nature of reality itself. Does not illusion open the seeming confines of factual reality into horizons of imagination which transform it? Does it not, like art, belong essentially to the makeup of human reality? Papers by: Lanfranco Aceti, John Baldacchino, Maria Avelina Cecilia Lafuente, Jo Ann Circosta, Madalina Diaconu, Jennifer Anna Gosetti-Ferencei, Brian Grassom, Marguerite Harris, Andrew E. Hershberger, James Carlton Hughes, Lawrence Kimmel, Jung In Kwon, Ruth Ronen, Scott A. Sherer, Joanne Snow-Smith, Max Statkiewicz, Patricia Trutty-Coohill, Daniel Unger, James Werner.
650 0 _aPhilosophy.
650 0 _aAesthetics.
650 0 _aPhenomenology.
650 1 4 _aPhilosophy.
650 2 4 _aAesthetics.
650 2 4 _aPhenomenology.
650 2 4 _aPhilosophy of Man.
700 1 _aTymieniecka, Anna-Teresa.
_eeditor.
710 2 _aSpringerLink (Online service)
773 0 _tSpringer eBooks
776 0 8 _iPrinted edition:
_z9781402035777
830 0 _aAnalecta Husserliana, The Yearbook of Phenomenological Research ;
_v87
856 4 0 _uhttp://dx.doi.org/10.1007/1-4020-3578-0
912 _aZDB-2-SHU
950 _aHumanities, Social Sciences and Law (Springer-11648)
999 _c501482
_d501482