000			02717nam a22004215i 4500
001			978-1-56898-658-6
003			DE-He213
005			20161121230512.0
007			cr nn 008mamaa
008			100301s2005 xxu| s |||| 0|eng d
020			_a9781568986586 _9978-1-56898-658-6
024	7		_a10.1007/1-56898-658-0 _2doi
050		4	_aNA1995
072		7	_aAMB _2bicssc
072		7	_aARC006000 _2bisacsh
082	0	4	_a720 _223
100	1		_aKleinman, Kent. _eauthor.
245	1	0	_aMies van der Rohe The Krefeld Villas _h[electronic resource] / _cby Kent Kleinman, Leslie Van Duzer.
264		1	_aNew York, NY : _bPrinceton Archit.Press, _c2005.
300			_bonline resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0		_aKlein’s kleine Kammer -- LeWitt and the Art of Instructions -- Serra and the Anti-Environment -- Windows and Other Weaknesses -- Conclusion.
520			_aNotes on Almost Nothing Haus Lange and Haus Esters did not make Mies van der Rohe famous. One might even say that the two neighboring brick villas in Krefeld, Germany (1927–30) have long been treated as a threat to Mies’s legacy: doubly damning evidence ?rst repressed by the architect himself and subsequently suppressed by his apologists. The history of this neglect is in its own right revealing, for to make two substantial buildings essentially disappear suggests a remarkable degree of consensus between the architect and his critics. [2, 3] Mies, as we know, said little about much, but particularly little was said about Haus Lange and Haus Esters. The architect proffered his only known assessment of the villas in a public dialogue at the Architectural Association in 1959. With thirty years of hindsight, Mies made his fateful condemnation: “I wanted to make this house [Haus Lange] much more in glass, but the client did not like that. I had great 1 trouble. ” This single remark—often published in tandem with an early pastel sketch of Haus Esters depicting a generously glazed garden facade or a photograph of the architect at work on the same—has been repeatedly cited to explain away these “compromised” works as the result of dif?cult clients.
650		0	_aArchitecture.
650		0	_aArchitects.
650	1	4	_aArchitecture / Design.
650	2	4	_aArchitects.
700	1		_aDuzer, Leslie Van. _eauthor.
710	2		_aSpringerLink (Online service)
773	0		_tSpringer eBooks
776	0	8	_iPrinted edition: _z9781568985039
856	4	0	_uhttp://dx.doi.org/10.1007/1-56898-658-0
912			_aZDB-2-ADE
950			_aArchitecture and Design (Springer-11641)
999			_c499741 _d499741