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The spider's thread (Record no. 564855)

000 -LEADER
fixed length control field 02298 a2200229 4500
003 - CONTROL NUMBER IDENTIFIER
control field OSt
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20211004121440.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 211001b xxu||||| |||| 00| 0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
ISBN 9780262039222
040 ## - CATALOGING SOURCE
Transcribing agency IIT Kanpur
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 808.032
Item number H748s
100 ## - MAIN ENTRY--AUTHOR NAME
Personal name Holyoak, Keith J.
245 ## - TITLE STATEMENT
Title The spider's thread
Remainder of title metaphor in mind, brain, and poetry
Statement of responsibility, etc Keith J. Holyoak
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Name of publisher MIT Press
Year of publication 2019
Place of publication Cambridge
300 ## - PHYSICAL DESCRIPTION
Number of Pages xvii, 270p
520 ## - SUMMARY, ETC.
Summary, etc In The Spider's Thread, Keith Holyoak looks at metaphor as a microcosm of the creative imagination. Holyoak, a psychologist, and poet, draws on the perspectives of thinkers from the humanities—poets, philosophers, and critics—and from the sciences—psychologists, neuroscientists, linguists, and computer scientists. He begins each chapter with a poem—by poets including Samuel Taylor Coleridge, Sylvia Plath, Walt Whitman, Emily Dickinson, Robert Frost, Theodore Roethke, Du Fu, William Butler Yeats, and Pablo Neruda—and then widens the discussion to broader notions of metaphor and mind.

Holyoak uses Whitman's poem “A Noiseless Patient Spider” to illustrate the process of interpreting a poem, and explains the relevance of two psychological mechanisms, analogy and conceptual combination, to metaphor. He outlines ideas first sketched by Coleridge—who called poetry “the best words in their best order”—and links them to modern research on the interplay between cognition and emotion, controlled and associative thinking, memory and creativity. Building on Emily Dickinson's declaration “the brain is wider than the sky,” Holyoak suggests that the control and default networks in the brain may combine to support creativity. He also considers, among other things, the interplay of sound and meaning in poetry; symbolism in the work of Yeats, Jung, and others; indirect communication in poems; the mixture of active and passive processes in creativity; and whether artificial intelligence could ever achieve poetic authenticity. Guided by Holyoak, we can begin to trace the outlines of creativity through the mechanisms of metaphor.
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical Term Metaphor -- Psychological aspects
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical Term Poetry -- Psychological aspects
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical Term Psychology and literature
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type Books
Holdings
Withdrawn status Lost status Damaged status Not for loan Collection code Permanent Location Current Location Date acquired Source of acquisition Cost, normal purchase price Full call number Accession Number Cost, replacement price Koha item type
        General Stacks PK Kelkar Library, IIT Kanpur PK Kelkar Library, IIT Kanpur 2021-10-11 2 2060.52 808.032 H748s A185356 2555.00 Books

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